A Story of Tejanos and Their Music

A Story of Tejanos and Their symphony\nImagine driving by S bug outh Texas. As you murmur through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is not further by definition Mexican American medication, it is a margin habitd to describe the people, the food and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a reinvigorated, and cosmos away from their homeland. As Tejanos locomote further north they not only brought their families, they brought their culture. A livelihood style that consisted of Mexican traditions that after(prenominal) clipping, began to blend with American and European customs. As these traditions began to fuse unitedly we gain an interesting outcome, Tejano music. The conventional music of Mexico is Rancheras. This genre of music consists of lyrics that include love, patriot ism and nature. The name Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the celluloid Songs of a homeland they use Lydia Mendoza as an example of a normal Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the first women to be recorded. She was known as the singer of the poor. This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from generation to generation. As New Tejanos became wishful it was only expected for the songs that reminded them of their grow to follow them. As time passed and the population in Texas grew, new influences began to fill the land and opposition the existing cultures. Conjunto music was created from the European soft styles and the music from northerly Mexico. The influence of instruments like the clit accordion from German settlers do quite an impression on Tejano music. Accordion musi c is familiarity establish, which was perfect because Tejano was fan based in a fan driven market. Two popular musicians were the Father of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The palm were the stage and the migrant workers the audience. medicinal drug was not recorded in truth much in the 40s so it worked out well. It was very common for Tejano bands to touch off throughout south Texas performing for...If you want to get a full essay, order it on our website:

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