The Bluest Eye-Theme of Vision

Toni Morrisons highly acclaimed de al ane work, The Bluest Eye, is atomic number 53 of beyond doubt(predicate) beauty and intricately woven prose. As a fictional writer, Morrison avails herself of her literary faculties, using her mastery of description in order to convey an unusually lucid picture to the reader. The five senses exitm to envelop a expectant deal of description in the novel, most notably that of sight. As has been ascertained by virtue of studying the brains neural and cognitive machinery, day-dream occupies large regions of the brain.Although in a more abstract sense, dreams disproportionate influence on the narrative and the storys fibres is greatly manifested in The Bluest Eye. One powerful way in which fancy dictates mevery aspects of the novel is through the concept of aesthetic beauty. Throughout the novel, Morrison paints a detailed depiction of how African-Americans, especially young, amenable girls, be subject to the stately indoctrination of beauty .Society has taught them to equate white with beautiful, and to go to considerable lengths to whiten themselves, such as in the case of women like Geraldine, who is described as sugar-brown in curtailis t cardinal they never cover the entire mouth for fear of lips overly thick, and they worry, worry, worry some the edges of their hair (83). Geraldine even goes as far as to inculcate this physical selfloathing in her own son, Junior his hair was cut as close to his scalp as possible to avoid any suggestion of wool, the part was etched into his hair by the barber (87).Any manifestations of unimaginative racial features, such as full lips and wool-textured hair atomic number 18 c arefully concealed in an effort to adhere to the white ideal of what is beautiful. In the town of Lorain, Ohio, subliminal and implicit mess boards emphasizing whiteness as professional are found everywhere, and seemingly impossible to ignore. The quintessential white child doll given to Claudia as a present, romanticism of Shirley Temple, the exaltation of the light-skinned Maureen, idealization of white female actresses in movies, and Paulines nurturing of the fine white girl are a few examples of the ways in which hese hypnotic images invade the vulnerable consciousness of the African-American women and young girls in the story. Adult women, having matured into consummate self-loathers, detesting the bodies in which they were born, express their hatred by taking it out on their own children Mrs. Breedlove adopts the conviction that her daughter is ugly, and Geraldine curses Pecolas blackness. The idea that ugliness is in fact a state of forefront is presented early on in the book when illustrating the Breedlove family Mrs. Breedlove, Sammy Breedlove, and Pecola Breedlovewore their ugliness (38).This sentence provides an subtraction that the Breedloves ugliness was a result of deliberate choice. The narrator wherefore continues on, observing, You searched at them and wo ndered why they were so ugly you hold backed closely and could not run across the source (39). In saying this, one can elicit that the members of the Breedlove family are not inherently ugly, rather they are driven to believe that they are and that they deserve to be, convincing those that look upon them that they are ugly. The Breedloves sense of physical insecurity emanates outwardly, and causes others to see them in the way they want to be seen.For one reason or another, being viewed with contempt for their appearance benefits them in roughly way. For Mrs. Breedlove, her ugliness is used for purposes of martyrdom, for Sammy, it is used to inflict pain, and for Pecola, it is used as a mask to hide behind. In the vein of vision, a recurring base that is discernable in The Bluest Eye is seeing versus being seen. Many characters in the novel, most frequently, Pecola, express feelings of being disregarded and invisible when interacting or in the vicinity of white people.In the pas sage about the Breedloves living situation, they are described as living in anonymous misery. The fact that they paradoxically live in anonymity despite being exposed to passersby on the street, introduces this prevailing theme. Conceivably one of the most memorable scenes that addresses this subject is when Mrs. Breedlove recounts large birth. In referring to the doctors, she says, They never said nothing to me. Only one looked at me. Looked at my face, I mean. I looked right back at him. He dropped his bosomball and turned red. He knowed, I reckon, that maybe I werent no horse foaling (125).By refusing to make eye contact with her and acknowledge her, the doctors, in a way, de compassionateize her. She sees them, but they do not see her. They cover her as though she is an animal, rather than a sentient human being, and although uneducated, Mrs. Breedlove is perceptive enough to notice this. She believes that if they were to lock eyes with her, they would realize something tar t that she is no different from the white patients. With regard to invisibility, the early scene with Pecola in the glaze shop also seems to be particularly telling.In speaking of Mr. Yacobowski, it says, he senses that he need not waste the effort of a glance. He does not see her, because for him there is nothing to see. How can a fifty-two-year-old white immigrant store-keeper see a little black girl? (48). What can be poised from this is that the man, to some degree, has made a conscious choice not to look at her, not because he is physically incapable of doing so, but because he considers someone of her skin color insignificant, and not worth the energy necessity for acknowledgment.This theme underscores the difference amid how one sees and how one is seen, also differentiates between superficial sight and real insight. Pecolas desire for blue eyes is undoubtedly essential to examine when considering the power and impact of vision in the novel. Pecola is consumed with the th ought of having blue eyes because she believes that they would be the simple panacea for everything that is unpleasant in her life. She is convinced that they will alter the way she is seen by others, and accordingly the way that she sees the world around her.To Pecola, blue eyes and happiness, are inextricably linked. In a way, too, they represent her own blindness, since she attains them at the expense of her sanity. In addition, she has the understanding that if she had beautiful eyes, people would not think it right to do ugly things in front of her or to her Maybe theyd say, Why, look at pretty-eyed Pecola. We mustnt do bad things in front of those pretty eyes (46). She believes that the cruelty she is exposed to is somehow intertwined with how she is seen.Her insight is confirmed when Maureen move in while being teased by the boys at school. Upon arrival, it seems that Maureens beautiful gaze causes the boys not to want to act badly. One character in The Bluest Eye that sta nds out against the rest as being one of the few singulars who can see clearly, and through an unadulterated lens is Claudia. Her pellucidness of vision is in part due to the fact that it is not mar by pain, like Pecolas is. In the beginning of her narrative, she talks about how she has not yet reached the stage in adolescence where love turns to self-hatred.She is different from others girls her age because she does not strive to emulate them, at the loss of her well-being. When she receives the doll, she describes her impulse to discerp it I had only one desire to dismember it. To see what it was made, to acquire the dearness, to find the beauty, the desirability that had escaped me, but apparently only me (20). In her childlike naiveness, she does not realize that the beauty everyone praises the dolls for does not come from within, but instead, is on the surface. She wants to take apart the doll in the hopes that she will turn up the inner secret to its beauty.At least at t his point, she is unaware of what society has narrow-mindedly deemed beautiful. Near the end of the story, when she and her sister are talking about Pecolas pregnancy, she imagines the unborn baby as beautiful in its blackness, indicating that she does not actualise the impressionable mindset typical of other women in the book. The Bluest Eye is one of the most profound examples in modern literature that attests to the ability of vision in impacting the way in which people perceive the world and are perceived by others.The novel repeatedly brings to attention the malleability of human sight, and its vulnerability to distortion through the lens of hatred, love, bigotry, and racism. Even in the patronage of Morrisons work, one can learn a substantial hail about the intrinsic role vision plays in the story. The word eye in the title is singular rather than plural, suggesting the negative implications on the individual by societys white tunnel vision in relation to concepts of beaut y and approval. In addition, the double meaning of eye and I strongly emphasizes the significance of vision in the grand scheme of the novel.